Arabesque, şirdal (lion-eagle) and kufi
Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art – The Metropolitan Museum of Artmain-image (1027×1200)
Arabesque, şirdal (lion-eagle) and kufi Continue »
Masterpieces from the Department of Islamic Art in The Metropolitan Museum of Art – The Metropolitan Museum of Artmain-image (1027×1200)
Arabesque, şirdal (lion-eagle) and kufi Continue »
Timeline of Arabic Script and Kufic Calligraphy Here is a timeline of the historical developments of the Arabic script and Kufic calligraphy, enriched with additional information, relics, and milestones: Time Period Development Key Relics and Examples 4th Century CE Early Arabic script emerges, influenced by the Nabataean script, which itself derives from the Aramaic script. Nabataean inscriptions in
Timeline of Arabic Script and Kufic Calligraphy Continue »
*1 . Şahin Uçar. Dîvân, Tevhid Kasidesi, Şule YY. istanbul 2012 *2. Muhammed Antakî / el Vecîz fî Fıkh ül-Lüga Darü’ş-Şark Neşriyat, 1969 25-27 *3. Mehmed el-Antaki, el-Veciz fi Fıkhü’l-Lüga, , p 55 *4. Saul Kripke, Naming and necessity *5. Old Testament . Genesis II, 13-14. *6. Dunja Rašić on the Science of the Letters and the Art of Ibn ʿArabī The World Of God’ The Cosmic Script
3.Evolution and Standardization of the Script In the early Islamic period, the Arabic script remained in a relatively primitive state. It conspicuously lacked diacritical marks (dots) to distinguish between similar letters and contained no vowel markings. This deficiency made reading arduous, particularly for non-native Arabic speakers, as Islam rapidly expanded beyond the Arabian Peninsula. The third caliph, Uthman ibn Affan
kufi chapter –3.Evolution and Standardization of the Script Continue »
Dreams of Nebuchadnezzar – Şahin Uçar’s Virtual Academia
annex: forgotten dreams of nebuchadnezzar Continue »
1. Old Testament, Genesis 25:12–18 Toledot of Ishmael (genealogy) 2, Ishmael – Wikipedia 3.F. Bacon, Essays, On the Studies. 4. Old Testament, Ecclesiastes II-8 5. Irvin Cemil Schick, Türk Matbuatında Hüsn-i Hat Literatürüne Toplu bir Bakış TALİD, 7(14), 6. History of the Arabic alphabet – Wikipedia 7 . www.pathsofjordan.net/ The Nabataean script: a bridge between the Aramaic and the Arabic alphabets 8. https://www.islamic-awareness.org/
footnotes for chapter two Continue »
Bismillahirrahmanirrahim,Aydın Bolak için yazılan şekli 1973 “My friend Prof. Dr. Yumuşhan Günay mentioned to me once that this kûfî besmele design was closely resembling “Alhambra Architecture”: & then, I have found & checked this photo & believed it to be true.”Bu besmeleyi Aydın Bolak’ın siparişi üzerine, 1973 te yazmıştım. Ancak sonraki bir tarihte besmeleye, Hüve allah, muhammmed, ebubekir, omer, osman
besmele. 1973. 2010 Continue »
Beşir Ayvazoğlu ile sivas’a haber gönderilmek suretiyle Mustafa Uzun tarafından sipariş edildiği için yazılan allah muhammed ebubekir ömer osman ali kompozisyonu. kitap kapağı deseni, 1973 allah, muhammed, ebubekir, ömer, osman, ali,1973. ayni istif ile kendi kitabımda.
kitap kapağı için kufi. 1973 Continue »
nokta-i suğrâ: sufilerin temâşâ nesnesi Şahin Uçar’ın, Süheyl Ünver Hocadan ders aldığı yıllarda, tıp tarihi enstitüsü atölyesinde kendi kompozisyonu olarak yaptığı ilk deseni budur. Sene 1970. Dergah Yayınevinin Türk Edebiyatı Ansiklopedisindeki “nokta-i suğrâ” maddesinde de bu desenin siyah-beyaz bir fotoğrafı vardır. Peyâmi Safâ’nın “Sanat, Edebiyat, Tenkit” kitabının kapak deseni olarak da basılmıştır, 1970
nokta-i suğra. 1970 Continue »
Chapter II a. On Historical Origins of Arabic Script and Historical Development of Kufi Calligraphy When I first decided to write about my philosophy of history and my Kufi calligraphy and Kufic scripture in general, I thought this was a new opportunity to convey all my ideas more clearly within the illuminating light of Kufic script. So, in